Travis Parker has everything a man could want: a good job, loyal friends, even a waterfront home in small-town North Carolina. In full pursuit of the good life—boating, swimming, and regular barbecues with his good-natured buddies—he holds the vague conviction that a serious relationship with a woman would only cramp his style. That is, until Gabby Holland moves in next door. Despite his attempts to be neighborly, the appealing redhead seems to have a chip on her shoulder about him…and the presence of her longtime boyfriend doesn’t help. Despite himself, Travis can’t stop trying to ingratiate himself with his new neighbor, and his persistent efforts lead them both to the doorstep of a journey that neither could have foreseen. Spanning the eventful years of young love, marriage and family, The Choice ultimately confronts us with the most heart wrenching question of all: how far would you go to keep the hope of love alive?
The Notebook. Millions of people loved the novel. Millions of people loved the film. With Cliffs Notes coming out on the novel in 2009, a case can even be made that it’s become something of a modern classic. Nowadays, I’m fairly certain that when people look back on my career,The Notebook will always be first in the list of work for which I am most known. This doesn’t bother me at all, by the way. I’m proud of that novel for many different reasons, but that doesn’t mean that I fully accept the fact that I’ll never write a novel that becomes even more well-known.
Still, there was something magical about the story, and after finishing Dear John, I set out with the hopes of capturing at least a bit of that magic once more, if only to show that I hadn’t forgotten why people began to read my novels in the first place.
The Choice was the product of those efforts.
Again, as with all my novels, one of the questions I must first answer when attempting to conceive of a story is the “obstacle” that keeps the characters apart. The obstacle creates the tension and drama inherent in the story; in many ways, it’s the glue that holds the entire story together. In The Notebook, the “obstacle” that kept them apart was two-fold; in the early story, it was Allie’s engagement to Lon; in the final section, Alzheimer’s kept Allie from remembering Noah.
With The Choice, I tried to parallel – not copy – those obstacles. In The Choice, I decided to give Gabby a serious boyfriend, one whom she thought she would marry; in the final section, Gabby was in a coma, and Travis wasn’t sure whether she would ever awaken.
